About the Author
Ying Zhu is a professor of media culture at the City University of New York, College of Staten Island. The recipient of a fellowship from the National Endowment for the Humanities, she is the author or editor of seven other books, including Television in Post-Reform China and Chinese Cinema During the Era of Reform, and a co-producer of current affairs documentary films, including Google vs. China and China：From Cartier to Confucius. She resides in New York.
Editorial Reviews
"Ying's cogent analysis and penetrating insight are invaluable for anyone trying to understand the political and social reality of the world's most populous country."
-Publishers Weekly
"Ying Zhu's compelling analysis of CCTV is very much an 'inside' story. . .We are given not just the best book to date about Chinese television, but a far better understanding of the role of media in China's still developing model of state-society relations."
-Stanley Rosen, professor of political science, University of Southern California
"Charged by the state with a global mission, and delivering everything from dramas and game shows to news, CCTV beams its programs from eight satellites to the world. Ying Zhu opens a window onto this complex, historically dynamic, and globally important institution. . . .Fascinating reading."
-Dan Schiller, author of Digital Capitalism：Networking the Global Market System
"Two Billion Eyes opens a fascinating window onto the emergence of a Chinese public sphere, with its convergence of information, crisis, culture, politics, competition, personalities, and programming. A host of probing and stimulating interviews reveal the people at work within these developments and transform Western stereotypes about state monopoly into a glimpse of concrete history, the sense of a genuine historical process underway in the China of the last three decades."
-Fredric Jameson, professor of literature, Duke University
With 16 internationally broadcast channels and over 1.2 billion viewers, CCTV is a powerhouse in conveying Chinese news and entertainment. The hybrid nature of the network has also transformed it into an unexpected site of discourse in a country that has little official space for negotiation. While CCTV programming is state sponsored-and censored-the popularity and profit of the station are determined by the people. And as the Chinese Communist Party seeks to exert its own voice on domestic and international affairs, the prospect of finding an amenable audience becomes increasingly paramount.
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