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| UCLA CCS 2016 Winter Quarter Events |
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| 2016/1/4 9:10:09 ｜ 浏览：2996 ｜ 评论：1 |
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Happy New Year!
Below is a list of our upcoming events in the Winter quarter of 2016.
（Event times and locations could change, please check our website or individual event email notice for the most current information.）
Thursday, January 28, 2016
4:00 PM - 5:30 PM
Bunche Hall 10383more
Wednesday, February 10, 2016
4:00 PM - 5:30 PM
Bunche Hall 10383more
Tuesday, February 16, 2016
12:00 PM - 2:00 PM
Presentation Room, Young Research Library more
There are no public events currently scheduled.
China’s floating art studios
Shu Hua Chuan is a unique Chinese art form fashioned by literati artists and calligraphers who traveled on the country’s flowing waterways.more
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Learning to Produce Literature in Medieval China
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Rehistoricizing Kunqu：China's Classical Opera
Taiwan Studies Lectureship Annual Workshop
This interdisciplinary and international workshop seeks to question the received wisdom about Kun opera as the consummate elite, male, and classical genre of Chinese opera. Papers will explore the history and historiography of kunqu in Ming and Qing times with attention to its music and performance practices, as well as the genre’s transformation and the re-imagining of classical form（and Chinese opera more generally）in modern and contemporary times. In conjunction with the workshop, there will be a premiere screening of Hong Kong documentary filmmaker Cheuk Cheung’s My Next Step, about the increasingly marginalized wusheng（martial male role type）performer of Kun opera.
Organized by Andrea S. Goldman, Department of History, UCLA
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Limited to UCLA faculty and students
Rehistoricizing Kunqu：Day 1
Friday, January 8, 2016
9am - 5:30pm
1）The Missing Message：Late-Ming Accounts of Literati Singing and Scholarly Vocal Training
文獻何以不足徵：晚明“士夫唱”及其學者型發聲方法之考述
Peng XU, Virginia Military Institute
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2）Kunqu Performance and Folk Practices in Ming Dynasty Nanjing
明代南京城市民俗活動中的昆曲演出
XIA Taidi, Shanghai University of Electric Power
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3）Kunqu’s Diverse Musical and Poetic Origins：“Plays” within Plays
Casey Schoenberger, Sewanee University
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4）Kunqu as Chinese Music History
编写中国昆曲音乐史
Joseph Lam, University of Michigan
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5）The Journeying Emperor Zhengde on the Qing Stage：Meanings and History
清代舞台上的「正德微行」：意義及歷史
HUA Wei, Chinese University of Hong Kong
RSVP required. Limited to UCLA faculty and students. Participants will be provided with the event location and papers in advance. | | | |
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Rehistoricizing Kunqu：Day 2
Saturday, January 9, 2016
9am - 5pm
1）From Kun Opera to Beijing Opera：Misreading “Daiyu Buried the Fallen Flowers”
從崑劇到京劇：誤讀「黛玉葬花」
CHEN Fang, National Taiwan Normal University
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2）Writing the History of Chinese Drama with Confucian Classics
儒家經典與中國戲曲史之發軔初探
Hsiao-Chun Wu, UCLA
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3）Between Asian and Oriental：Wu Hsing-Kuo and Xiqu in Taiwan
東方與亞洲之間：吳興國與台灣戲曲演員的困境
Fang-ru Lin, UCLA
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4）Re-interpreting Tradition：Avant-garde kunqu in Hong Kong
對傳統的重新詮釋：香港的前衛崑曲
Ellen Gerdes, UCLA
RSVP required. Limited to UCLA faculty and students. Participants will be provided with the event location and papers in advance. | | | | | |
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