用户名:  密码:   
网站首页即时通讯活动公告最新消息科技前沿学人动向两岸三地人在海外历届活动关于我们联系我们申请加入
栏目导航 — 美国华裔教授专家网活动公告学术论坛
关键字  范围   
 
UCLA CSS|Sanxingdui:Discovery of a Lost Bronze Age Civilization
2023/10/28 9:54:37 | 浏览:2416 | 评论:1

UCLA CSS|Sanxingdui:Discovery of a Lost Bronze Age Civilization

 

2023 Sammy Yukuan Lee Lectures on Chinese Art and Archaeology

 

UCLA CSS|Sanxingdui:Discovery of a Lost Bronze Age Civilization
Saturday, November 4, 2023
2:00 PM - 4:00 PM
Lenart Auditorium, Fowler Museum

The history of the Bronze Age in the wider region of Southwest China has hardly been systematically and adequately recorded in the any historical literature. Since the 1930s, archaeologists have focused on the Sanxingdui site in Sichuan Province as a key to this problem. In particular, two major archaeological excavations of the sacrificial area of the Sanxingdui site in 1986 and 2021 unearthed extremely large quantities of bronze, jade, gold artifacts and elephant tusks. These artifacts are of peculiar shapes and include a number of remains rarely seen in East Asia, such as sacred trees, bronze altars, large human figures and gold masks. The ancient remains found at the Sanxingdui site show us that an ancient civilization once flourished in the Sichuan Basin from about 1700 BC to 1050 BC. The exquisite artifacts of the Sanxingdui civilization demonstrate a high level of artistic design and craftsmanship of bronze, gold and jade products. At the same time, these artifacts collectively seem to reflect a socio-political and religious system different from that civilization of the Central Plain during the same period. The important archaeological discoveries at Sanxingdui once again highlight the rich diversity of the developmental trajectory of the early civilizations in diverse geographical and cultural background.

Speaker:

Zhao Hao is an Associate Professor at the School of Archaeology and Museology, Peking University. He received his B.A. and M.A. degrees in history from Peking University from 2004 to 2011, and his Ph.D. degree in archaeology from Stanford University in 2017. He was awarded the annual dissertation prize by the Society for American Archaeology(SAA)in 2019. His main areas of research are Bronze Age archaeology and handicraft archaeology. He has participated in the field excavation and research of important archaeological sites such as the Western Zhou bone workshop site at Yuntang, the Eastern Zhou bronze foundry at Guanzhuang and the Proto-Qin culture site at Dabaozi. Since the February 2021 to the present, he has been leading the Peking University archaeological team to participate in the excavation of the Sanxingdui site in Guanghan, Sichuan Province, and has been mainly in charge of the field excavation and research of the sacrificial pit No. 8.

Discussant:

Rowan Flad 傅羅文 is John E. Hudson Professor of Archaeology at Harvard University. His research focuses on the emergence and development of complex society during the late Neolithic period and the Bronze Age in China. He has conducted excavations at a salt production site in the eastern Sichuan Basin and a regional survey in the Chengdu region focusing on prehistoric settlement patterns and social evolution. Recent research has focused on the late Neolithic and early Bronze Age in southern Gansu and bias in media coverage of archaeology. Research and writing projects focus on several aspects of social complexity including:specialized production and technology, the anthropology of value, mortuary analysis, archaeological landscapes, interregional interaction, cultural transmission, animal and plant domestication, osteomantic divination practices, and bias in the practice of archaeology.

 

About Sammy Yukuan Lee Lecture Series
First presented in 1982 in celebration of his 80th birthday, the Sammy Yukuan Lee Lectures on Chinese Art and Archaeology honors the life and philanthropy of respected businessman, art collector, and Chinese art authority, Sammy Yukuan Lee. The Friday Seminar series began in 2013 to allow for more in-depth discussions between the speakers and the students and faculty members. This series is presented annually by the UCLA Center for Chinese Studies with support from the Sammy Yukuan Lee Foundation, and in partnership with the Fowler Museum at UCLA.

相关栏目:『学术论坛
UCLA:China without Coasts 2024-04-26 [49]
UCLA:The Gender Politics of Superstition in the Chinese Revolution 2024-04-26 [50]
UCLA:The Data Pharmacy:Notes on Smartness, Mood Conditioning, and Contemporary Self-Making 2024-04-09 [340]
UCLA: Landscape and Artistic Revolution:André Claudot(1892-1982)and the Modern Art Movement in China 2024-03-29 [620]
UCLA:Making Sense of Consensus:Social Desirability Bias and Hawkish Attitudes among U.S. Foreign Policy Elites 2024-03-28 [619]
颠覆技术分享:从ChatGPT到Sora, 一场席卷创新创业、职场与各行各业的AI风暴(3/29) 2024-03-25 [642]
UCLA:Archaeology of Imperial Sacred Landscapes in Early China 2024-03-20 [781]
确定!第三届地球与太空:从红外到太赫兹国际学术会议ESIT2024将于今年9月在杭州召开,四大专题欢迎投稿! 2024-03-11 [792]
UCLA:A Missionary Odyssey in Modern China 2024-03-08 [718]
UCLA:The War for Chinese Talent in the U.S. 2024-03-08 [750]
相关栏目更多文章
最新图文:
:大数据分析图解:2019中国企业500强 张梦然:英国惠康桑格研究所:人体内的微生物与出生方式有关 :美众议院将调查华裔部长赵小兰“利用职权为家族谋利“ :UCLA CCS 2019 Fall Quarter Lecture Series Overview 谭晶晶:美国科技界高度关注中国科技创新进展 :推荐:2019年底前中国高校重要学术论坛(10月 - 12 月) :黄奇帆:今后10年,中国经济将发生5个历史性变化 :为了在外太空住,人们都设计过怎样的房子?
更多最新图文
更多《即时通讯》>>
Santa Barbara Museum of Art说:留言于2023-10-31 04:26:50(第1条)
Hello,

The Santa Barbara Museum of Art is pleased to announce the exhibition Flowers on a River: The Art of Chinese Flower-and-Bird Painting, 1368–1911, Masterworks from Tianjin Museum and Changzhou Museum, is now on view through January 14, 2024. Showcasing masterpieces of Chinese painting spanning 500 years, this exhibition marks the first showing of works traveling from China to the U.S. since the onset of the pandemic. Please see the full release below.

One of the most important highlights in the exhibition is the premier showing of the 42-foot-long monochromatic handscroll painting, Flowers on a River (1697), by the eminent monk artist Zhu Da (also known as Bada Shanren). The Santa Barbara Museum of Art will be the only U.S. venue that enables visitors to view more than 90% of the actual artwork.
Let me know if you need anything further.
Katrina

Katrina Carl
Director of Communications
Santa Barbara Museum of Art
805.884.6430
kcarl@sbma.net
 
打印本文章
 
您的名字:
电子邮件:
留言内容:
注意: 留言内容不要超过4000字,否则会被截断。
未 审 核:  是
  
关于我们联系我们申请加入后台管理设为主页加入收藏
美国华裔教授专家网版权所有,谢绝拷贝。如欲选登或发表,请与美国华裔教授专家网联系。
Copyright © 2024 ScholarsUpdate.com. All Rights Reserved.