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編譯中心  留言于2013-03-06 12:03:11 |
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评论：时寒冰：“新国五条”后谁还投机买房？ |
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溫家寶壯志未酬 力捍形象
即將卸任的中國總理溫家寶在十年任職期間，一直主打政改牌和塑造自己的親民形象。但他也在竭力澄清其名譽，尤其是在紐約時報報導其家人貪腐斂財，成為中國巨富家族之後。 在紐約時報去年10月底首次報導溫家寶家族聚斂財富後，溫家寶要求中央對他家人的經商活動進行調查，並宣布調查結果。他在致政治局常委的信中，為自己和家人辯護，表示如果發現有違法行為，願意接受黨紀國法的處罰。紐約時報報導，有知情人說，溫家寶甚至表示，如果不為他澄清名譽，他將不會做任期內的最後一屆政府工作報告。但高層拒絕了溫家寶的要求，中國的新一代領袖習近平表示，他全力支持溫家寶，鼓勵他站好最後一班崗。
紐約時報的調查報導證實了中國商界許多高管的傳言，溫家寶的夫人、兒子和弟弟等親友，在溫家寶當政期間，聚斂了至少27億美元的財富。紐時的報導對溫家寶的支持者不啻為重磅炸彈，使他們感到他是個悲劇人物，連自己的家人都管不好，遑論管理國家。異議人士和左派批評者認為，溫家寶是個偽君子和影帝，「他的清廉與正直的形象受到了質疑」。溫家寶出任總理十年，始終精心培植其令人溫馨的「溫爺爺」形象，捍衛草根階層的利益，捍衛政治自由。在Sars橫行、四川地震和高鐵撞車時，他給人以黨內首席危機管理者的印象。即使在政治專制的體制內，溫家寶仍不時地提倡民主、法制和人權，及提出政治改革的主張。但溫家寶政府的紀錄，是與房價高漲、貧富差距懸殊、維穩機器和國有企業的權力日益膨脹相連。
溫家寶當政期間樹立了許多政敵，各省市和國有企業都反對他主張的宏觀調控，黨內強硬派對他的政改言論更是不屑一顧。溫家寶發表了一系列的政改言論後，2010年底在政治局常委的「民主生活會」上受到了批評。溫家寶去年在兩會記者會上，公開批評時任重慶市委書記的薄熙來，是搞文革的一套，導致薄熙來次日被免職。溫家寶和新左派的薄熙來，被視為黨內的改革派與保守派的代表人物。許多知識分子和黨內菁英認為，中國政界爆發的醜聞，實際上是兩派的激烈內鬥。 |
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林則宏 留言于2013-03-06 11:58:24 |
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评论：刘春龙：国务院关于房地产市场调控的“最新国五条”真能抑制房价飚升吗？ |
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溫家寶臨去秋波 下重手
「我最近出於一種責任感，把從2003年開始的房地產調控認真地回顧了一下。其實我們在2003年已經提出了六條調控措施，2005年又制定了國八條，2006年又制定了國六條。但是，為什麼調控不見成效？群眾也在責怪我們，說房價越調越高，政策不出中南海。我聽到了感到十分痛心。」這段話是溫家寶去年此時，在任內最後一次兩會後總理記者會中對於房市問題的回答。事實上，對於溫家寶十年總理任內房價愈調愈高的質疑，甚至責難，不曾間斷，許多人甚至說他任內的調控完全是「空調」，白折騰一場。這對好名的溫家寶而言，無疑是總理生涯的一大痛點。因此，他在2月26日，總理任內最後一次主持國務院常務會議中強推新一波調控措施「國五條」，並在3月1日，兩會即將開議前宣布震撼市場的房屋交易所得稅20%。溫家寶臨去秋波來這麼一招，其實也不算太讓人意外。
按中國官場政治倫理，將在不到10日後接任國務院總理的李克強，初期還是會「蕭規曹隨」一下，繼續執行溫家寶強加給他的「國五條」。 但之後還是誰當家誰作主，近日兩會及中國坊間就不斷有耳語說，李克強上任後，就算沒把「國五條」廢了，也不會認真執行，畢竟李克強是「懂經濟的」，更何況他還要大力推動城鎮化呢！ |
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UCLA Center for Chinese Studies 留言于2013-03-06 05:30:09 |
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评论：UPDATE - From The Chinese American Professors and Professionals Network (2013 No.9) |
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Double Feature Lecture: Prof. Feng Shi and Prof. Miao Zhe
Wednesday, March 06, 2013
2:00 PM - 5:00 PM
Young Research Library - Presentation Room,
11348 YRL
Natural Color and Philosophical Color
A Study on the Origin of the Theory of the Relation between Colors and Directions in China
Feng Shi (Institute of Archaeology, CASS)
Within the context of traditional Chinese culture, color is not only a natural phenomenon that may be exploited by artists, but also the touchstone for a unique theory that related the colors to the five directions, and further coordinating them with space, time, the constellations, the Five Elements (wuxing), yin&yang, etc. In a spatial frame of reference, the Five Colors--green, red, white, black, and yellow--could represent the Five Directions--east, south, west, north, and center; in a temporal frame of reference, they symbolized the Four Seasons--spring, summer, autumn, and winter; in an astrological frame of reference, they could describe the directional symbols--the dragon, bird, tiger and the xuanwu (a turtle with a snake slung around it); in an alchemical frame of reference, they were equivalent to the Five Elements--wood, fire, metal, water, and earth; and in a philosophical frame of reference, they could stand for the opposing forces of yin and yang. By setting up the internal relationships with the system of time and space through color, the theory of relations between directions and colors involved all factors of traditional Chinese culture. It acquired great importance from its concern with the establishment of traditional institutions of politics and sacrifice. The earliest record of the theory in historical documents is found in the Zhou Li (no earlier than about the 5th century BC), whereas archaeological materials provide far more ancient clues. For instance, during the period of the Hongshan Culture, some 5500 years ago, the theory of relations between directions and colors can be shown to have already existed in a rather mature form. This research focuses on exploring the origin of the traditional theory of relations between directions and colors in China based on the integration of archaeological and historical materials.
From the Lingguang Palace to the Wu Liang Shrine
Some Traces of the Imperial Art from the Late Western Han and Early Eastern Han Periods
Miao Zhe (Zhejiang University)
Every empire has its imperial art. The Han dynasty is no exception. Han dynasty imperial art consisted mainly of decorations of palaces and mausoleums built of clay and wood. With their destruction in the third century AD, this imperial art was lost forever.
This lecture attempts to recover some traces of the imperial art of the period spanning the late Western Han and early Eastern Han (approximately from the first century BC to the first century AD) from both contemporary texts and archaeological materials. Pieced together, these traces present a picture of a type of art that was completely new to Chinese art history: an art that may be characterized as pictorial in form and Confucian in subject matter.
UCLA Center for Chinese Studies
11381 Bunche Hall, Los Angeles, CA 90095
Tel: (310) 825-8683 |
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Dept. of Math and CS 留言于2013-03-06 05:18:25 |
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评论：UPDATE - From The Chinese American Professors and Professionals Network (2013 No.9) |
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Dear MAA So Cal-Nev Section Department Liaison or Chair,
Share good news from your department in the MAA Southern California-Nevada Section Spring Newsletter!
Please send news of promotions, new hires, retirements, big grants and awards (for both faculty and students), and any other departmental news you''''d like to share, to Janet Beery, Newsletter Editor, janet_beery@redlands.edu by Friday, March 15, 2013.
Please send also announcements of upcoming local conferences, workshops, and REUs that would appeal to MAA So Cal-Nev Section members and their students. Digital photos of your new faculty members, other faculty and students in the news, and mathematical events are welcome. Spread the word! Please tell your colleagues and students that the MAA Southern California-Nevada Section Spring Meeting will be held Saturday, April 20, 2013, at the University of San Diego. (Watch http://sections.maa.org/socalnv/ for details.) We look forward to seeing you there! Thank you very much for your help,
J. L. Beery, Ph.D.
Professor of Mathematics
University of Redlands
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